The woman taken in adultery, by Se-
bastian Ricci.  The greatness of the design
the dignity and propriety of the charac-
ters, particularly the woman, and the
harmony of the colours, shew him to be
(tho' a modern master) equal to most of
the greatest that went before him.

Two misers counting and setting down
their money; the same subject, but with
some variation as that at Windsor, by
Quintin Matsys of Antwerp, who re-
peated this picture several times.

An old man's head with a ruff, painted
by Rembrant.  It is thought to be the
portrait of Ephraim Bonus the Physician,
as it bears a great resemblance to the
print of him engraved by Rembrant him-
self, but in the picture he is much older.
The light and shade in this picture is ex-
tremely fine.  Mr. Houston, an excellent
engraver in mezzotinto, has engraved a
very fine print after this picture.

A Magdalene's head, by Guido.

An historical subject, a woman and three
children, &c. by Solimene.  This is better
coloured, and more finished, than one ge-
nerally sees of this master.

Angels holding a mitre over St. Am-
brose, a finished sketch for a large pic-
ture, by the same master.  The character
of St. Ambrose is very fine, and the dra-
peries are in a great style of painting.

Susannah and the Elders, by Le Moine.
The colouring of the woman, who is near
naked, is very fine, and the composition
and the landskip are very agreeable.

A little boy and girl naked in a land-
skip of a garden, by Albano, in his
richest colouring.

A battle, by Borgognone, about two
feet wide; this is clearer and better co-
loured than most of his pictures usually
are.

Two landskips, by Gaspar Poussin, a-
bout two feet two inches wide each.
They are in his finest green manner, and
extremey well preserved.