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This page continues the article entitled Banqueting House, which started on Page 243.  The next article is entitled Bansted, and starts on Page 246.

This engraving faces Page 244.  It depicts "Banqueting House".   Click the thumbnail for the full size version, which will open in a popup image viewer.  (Size: 326Kb)
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Whitehall, which was destroyed by fire
in 1697, and only the Banqueting House,
and one court left standing.  See the
article Whitehall.
In the reign of King James I. the
Banqueting House being in a ruinous
condition, that Monarch formed the de-
sign of erecting a palace on the spot,
worthy the residence of the Kings of
England.  The celebrated Inigo Jones
was employed to draw the plan of a no-
ble edifice; this was done, and the pre-
sent structure erected, as a small part of
the great intended work, for the recep-
tion of ambassadors, and other audiencies
of state.  The engraved view of it,
which is here given, will best illustrate
what follows.
This is a regular and august building
which has three stories.  The lowest
has a rustic wall, with small square
windows, and by its strength happily
serves for a basis for the orders.  Upon
this is raised the Ionic, with columns
and pilasters, and between the columns
are well proportioned windows, with
arched and pointed pediments.  Over
these is placed the proper entablature,
and on this is raised a second series of
the
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the Corinthian order, consisting of co-
lumns and pilasters like the other; co-
lumn being placed over column, and pi-
laster over pilaster.  From the capitals
are carried festoons, which meet with
masks and other ornaments in the middle.
This series is also crowned with its proper
entablature, on which is raised the balu-
strade with Attic pedestals between, which
crown the work.  Every thing in this
building is finely proportioned, and as
happily executed.  The projection of the
columns from the wall has a fine effect
in the entablatures, which being brought
forward in the same proportion, gives
that happy diversity of light and shade
so essential to fine architecture.  English
Architecture
.
To render this edifice as perfect as
possible, the ceiling is finely painted by
the celebrated Sir Peter Paul Rubens,
who was ambassador here in the time
of Charles I.  The subject is the en-
trance, inauguration, and coronation of
King James I. represented by Pagan
emblems.  It is esteemed one of his
most capital performances, and may be
justly esteemed one of the finest ceilings

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